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NEW YORK THEATRE
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| A CHRISTMAS CAROL |
Scrooge |
Access Theatre/MCT |
| WINKIE |
Charles Unwin |
59 E 59 Theatre/Godlight Theatre Co |
| BLACK PETER |
Jack |
Stage Left Theatre |
IN THE HEAT OF THE NIGHT
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Mr. Endicott |
59 E 59 Theatre/Godlight Theatre Co |
*Drama Desk Nominated Production &
Special award for Godlight Theatre Co (2010) |
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| GRAND CENTRAL WINTER (READING) |
Ensemble |
Emelin Theatre / Godlight Theatre Co |
| JEKYLL AND HYDE |
Bishop of Basingstoke |
Sponge Theatricals |
| TOPSY TURVY LOVES |
Angus |
Wings Theatre |
| AS YOU LIKE IT |
Touchstone |
Schapiro Theatre |
| AN EVENING OF MUSIC AND COMEDY |
Featured Performer |
Don't Tell Mama |
| THE LT. OF INISHMORE (WORKSHOP) |
Donny |
Far From Oz Productions |
| SICK |
Charlie |
American Theatre of Actors |
*By Bekah Brunstetter, Winner,
Samuel French Off Off Broadway Play Festival
(2007) |
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| GRANDMA’S BOX |
Funeral Director |
American Place Theatre |
| THIS BED IS FILTHY |
Elliot |
Producers’ Club |
| FMBMLM |
Sam |
Actors Studio P/D Unit |
| SCENES FROM AN EXECUTION |
Suffici |
59 E 59th Theatre |
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| REGIONAL & SUMMER STOCK THEATRE |
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| THE TEMPEST |
Prospero |
Winnipesaukee Playhouse |
| THE MUSIC MAN |
Barbershop Quartet, Oliver, (Baritone) |
Broward Stage Door Theatre |
| CROSSING DELANCEY |
Sam |
Winnipesaukee Playhouse |
| A STREETCAR NAMED DESIRE |
Mitch |
M & D Productions |
| AROUND THE WORLD IN 80 DAYS |
Actor 1 (Multiple Roles) |
Winnipesaukee Playhouse |
| THE GLASS MENAGERIE |
Tom Wingfield |
Winnipesaukee Playhouse |
| ALMOST, MAINE |
Pete, Jimmy, Lendall, Randy, Phil |
Winnipesaukee Playhouse |
| STONES IN HIS POCKETS |
Charlie Conlon (et al) |
Winnipesaukee Playhouse |
| TWO ROOMS |
Walker Harris |
Winnipesaukee Playhouse |
| SYLVIA |
Tom, Phyllis, Leslie |
Winnipesaukee Playhouse |
| THE FANTASTICKS |
El Gallo |
SWIC Summer Stock |
| GIVE ‘EM HELL HARRY! |
Harry S Truman |
The Rising Stars |
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| FILM & RECORDING |
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| TAKING BULLETS |
Jerry (Lead) |
Leonie Unger, Director |
| MAMARKET |
Jack (Supporting) |
Rodrigo Quintero, Director |
| THE LAST AFTERNOON LUNCH |
Judas (Lead) |
Kaitlin Colombo, Director |
| FLYP MEDIA |
V.O./Film Segments |
Zemi Communications |
| VOLTEK |
Multiple Roles/V.O. |
New York University |
| BLINDNESS |
V.O. (Lead) |
New York University |
| LEAVING L.A. |
Featured Actor/V.O. |
Third Car Productions |
| INNER SPLENDOR MEDIA* |
V.O./CD Narration |
New York, NY |
| *New Age Charts – 2007 |
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| NORWALK COMMUNITY COLLEGE |
Commercial/Actor (Lead) |
New York, NY |
| PHILOSOPHER FA - CD SERIES |
V.O./Featured Actor |
St. Louis, MO |
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| TRAINING |
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| Actors Studio Drama School / New School for Drama - M.F.A. in Acting |
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Acting – Ron Leibman, Gene Lasko, Marcia Haufrecht, Robert Walden, Arthur Storch, Joe Ragno
Voice – Nova Thomas, Keith Buhl (also Music Theatre), Scott Flaherty
Stage Combat – Rick Sordelet
Dialects – Patricia Fletcher
Mime – Bill Bowers
Movement – Chris Healy (Viewpoints), Cynthia Reynolds (Alexander Technique)
Samuel Becket/Anton Chekhov (performance) – Austin Pendleton
Shakespeare – Gene Lasko, Stuart Vaughan, Paul Rudd
Master Classes–Liza Minnelli, Greg Mosher, Sam Shepard, Amanda McBroom
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McKendree University, Lebanon, IL - B.A. in Theatre & Vocal Performance
American Academy of Dramatic Arts - Summer Acting Intensive
Meisner - Carla Moriarty
Mission Improvable, Chicago, IL – Improvisation |
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| SPECIAL SKILLS |
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| Stage Combat (hand-to-hand, fencing, knives); Masks; Basic Juggling; Sports: Golf, Baseball; Dance (music theatre, ballroom, modern); Instruments: piano, percussion; Full Baritone–Low G-High G with access to top; Can Read/Compose Music; Sight-Sing Proficiently; Barbershop Quartet Experience; Radio/Voice-Overs; Dialects: British (formal), Cockney, Irish, Midwestern USA, Chicago, Polish, Standard Classical American, Brooklyn - *Can learn any dialect (proficient in IPA) |
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